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Ron Kaplan


One of our finest contemporary singers of jazz standards, Ron Kaplan has spent his entire career championing the Great American Songbook, with much of that classic material written in or about New York City. So it makes perfect sense that this tradition-oriented vocalist dedicates his latest album, New York, to that remarkable metropolis.

?Although I am from California,? explains Kaplan, ?every time I go to New York City I am always struck by the energy, excitement and exuberance of the place. Everything about it is exciting ? the history, the architecture, the people, the culture, the arts. It?s the jazz capitol of the world. It?s the home of Broadway theatre, Tin Pan Alley, the Brill Building and countless legendary songwriters over the past century. There is so much to do and the atmosphere is so intense. It?s the city that never sleeps. It is one of the few cities in the world that has had many, many songs written about it. The difficulty wasn?t finding New York-themed songs for this recording, but deciding which ones to sing.?

Ron Kaplan's New York and his other CDs are available at online sites (such as and, digital download locations (including, and Kaplan's own

In addition to his career as a concert performer and recording artist, Kaplan also is the founder and executive director of American Songbook Preservation Society, a non-profit organization whose mission statement is: "To preserve our cultural treasure known as the Great American Songbook by performing this music at home and abroad as Ambassadors of Song." For more information, go to "The Great American Songbook is full of what is known as popular standards -- great songs written generally between 1920 and 1960, most often for Broadway shows or Hollywood musical films, but sometimes simply in the Tin Pan Alley tradition of pianists and lyricists working together to create quality material for the big bands or the pop singers of the day."

Kaplan has carved out an exemplary singing career by following in the footsteps left by legends such as Frank Sinatra, Mel Torme, Nat King Cole and Tony Bennett. Ron has superb command of his flexible baritone that literally cocoons the listener within the cozy atmosphere of the images and feelings that he sings about. His trademarks are his sophisticated phrasing, the mature tonal qualities of his vocals, and his relaxed style.

Kaplan selected a dozen classic compositions that reflect a myriad of different aspects of New York City. ?The chronology of the songs is like taking a trip to New York City, seeing the different parts of the island, experiencing the nightlife, riding the subway or the buses, walking around or going uptown.? A couple of the tunes are better known as jazz instrumentals than vocalized compositions, but Kaplan did extensive research to track down the lyrics, often going back to the earliest versions or sheet music, and sometimes singing verses seldom heard today.

While most of the CD?s tunes are from the first half of the Twentieth Century, the stage is set with a song from the Seventies, Billy Joel?s ?New York State of Mind? (?He?s saying that once you?ve been a New Yorker, you always feel the pull to go back to that city.?). Lester Young?s ?Jumpin? With Symphony Sid? is about a famous New York disc-jockey playing the swing, R&B and jazz of the Forties over the air. No trip to NYC would be complete without a stop on Broadway, represented by both ?Lullaby of Broadway? and a medley, ?New York New York/Broadway,? where, as the lyrics say, ?the night is brighter than day.? Then it?s off on a historical ride around the city with Billy Strayhorn?s classic ?Take the ?A? Train? which became one of Duke Ellington?s signature themes. Appropriately, next comes the Ellington-penned ?Drop Me Off in Harlem? and a Cotton Club standard, ?Harlem Nocturne,? which Kaplan first heard as an instrumental on a noir-ish private eye television show years ago.

The journey around the big city continues with ?Forty Second Street.? Kaplan says he loves the historical content (?it talks about everything from dancing girls and chorus lines to Times Square and Wall Street?). Another side of the city is presented in ?Sunday in New York? (?it reminds me of strolling along the streets and people watching?). For many years striving, struggling artists have flocked to this important entertainment capital determined ?to make it? and this drama is described in the Sixties Brill Building hit ?On Broadway.? Kaplan injects a little humor with the cynical tongue-in-cheek ?Give It Back to the Indians,? written by tunesmiths Rogers and Hart. The recording closes with another song by the same team, ?Manhattan? (?perhaps the quintessential song about New York?).

Kaplan?s other albums are High Standards, Dedicated, Jazz Ambassadors, Lounging Around, Saloon and a special-edition fund-raising live recording American Songbook Preservation Society Singing the Great American Songbook.

?All of my albums are an acknowledgment and tip-of-the-hat to those who came before us and paved the way for us to have a truly American soundtrack of music for our lives,? explains Kaplan. ?My greatest desire is to keep this wonderful music before the public for the next hundred years and beyond. This music needs to be elevated and cared for, which is why I started the not-for-profit American Songbook Preservation Society.?

Ron is delighted to bring this recording to Feinstein?s Loews Regency under the musical direction of Steinway Artist and New Yorker Pete Malinverni.